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Salaar: Part 1-Ceasefire will be in the theaters in just a week from now. The booking for the same has opened across the globe and the movie is getting good response overseas as well as in the Tollywood circuit. Right from the beginning it was planned that Salaar will be made in two parts and is going to be based on revenge and is a dark subject.
Talking about the same and more recently the cinematographer of the movie Bhuvan Gowda who has been with the director Prashanth Neel since the start of his career made some shocking and interesting revelations.
Bhuvan Gowda has been working with Neel since his first movie Ugramm and after KGF and KGF2, Salaar is his fourth movie with the famous director. Sharing his equation with the South Indian director Gowda said, “As a cinematographer, I have my signature style and that is the reason Prashanth Neel has repeatedly collaborated with me. However, I don’t think judging Salaar solely from trailers and rushes is the right move.”
He also shared some interesting words about the Rebel star Prabhas . Gowda said, “He’s enjoyable to work with and is a genuinely good person. I consider myself lucky to collaborate with someone like him.” But more interesting was the part when Bhuvan Gowda revealed about Salaar and that its scale was five times bigger than KGF.
Gowda revealed that they have created another Ramoji Film City within the existing Ramoji City. An enormous set has been created for Salaar by the team of art director Shivakumar covering a land of 100 acres. Apart from that the team has also erected a half-kilometer wall. Gowda said that technically they are on a different level and the set of Salaar is one of the largest ever created for any Indian film.
More interesting is the fact that Salaar’s visual grandeur can be attributed 95% to practical sets and only 5% to CGI which is quite surprising as nowadays VFX and CGI are predominantly used in most of the action films.
