Balasore’s Durga idol immersion procession to bring 100-yr-old Akhada martial art to life

In a remarkable celebration of cultural heritage, Balasore district in Odisha marks 100 years of its unique traditional martial art form ‘Akhada Khela’. Like previous years, this year too will witness the martial art display during Durga idol immersion procession.

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This century-old practice, deeply rooted in the spirit of self-defence and local pride, was initiated in 1925 under the guidance of the erstwhile Orissa Chief Minister Dr. Harekrushna Mahatab.

Originally developed as a technique to prepare the local youths against British aggression, Akhada Khela quickly evolved into a celebrated folk tradition.

Every year during the grand immersion procession of Goddess Durga on Dussehra Bhasani, young men and women from various neighbourhoods take to the streets to showcase their skills.

Armed with lathis (wooden batons), spears, swords, shields, and other traditional weapons, they perform with passion and discipline. The performances include basic elements like lathi fighting, mock sword battles, wrestling, and acrobatics — reflecting Odisha’s rich martial traditions.

Akhada Khela is not just a game; rather, it is a living legacy that binds generations through discipline, valour, and devotion. Even after 100 years, its cultural resonance still remains unshaken — a true testament to Balasore’s enduring spirit.

“Historicity of the martial art dates back to 1925. This art form of self-defence was started in Balasore by the then Orissa Chief Minister Dr. Harekrushna Mahatab. A sardar named Benga Sethi was visiting different places in the district and had been imparting training to people. This is how the art form became popular,” a martial artist said to OTV.

“This battle was against the Britishers. As we did not have arms and ammunition at that time, we adopted Dhal, Talwar, Rukbadi, Banati, and sword for self-defence. The weapons are worshipped on Durga Astami as part of the tradition,” the martial artist added.

Reported By: Chandrakant Jena