PS II music row takes a turn: AR Rahman to credit Junior Dagar Brothers after Supreme Court hearing

In a significant development in the Ponniyin Selvan II music copyright matter, celebrated composer A. R. Rahman has agreed to formally acknowledge the contribution of the Junior Dagar Brothers in the song Veera Raja Veera.

During proceedings on Friday, the Supreme Court was informed that Rahman would incorporate a revised credit line recognising the classical influence behind the composition. The bench directed that updated credits be reflected across social media platforms and OTT services within five weeks, ensuring proper recognition of the Dagar brothers’ legacy. Importantly, the larger copyright dispute remains pending before the court.

The Credit Line That Seals the Understanding

The latest development comes amid a copyright suit filed by Faiyaz Wasifuddin Dagar, a successor of the Junior Dagar Brothers. According to reports, Rahman and the film’s producers have agreed to insert the following line in the credits: “Composition inspired from the Dagarwani tradition Dhrupad, first recorded as Shiv Stuti by late Ustad Nasir Faiyazuddin Dagar and Ustad Nasir Zahiruddin Dagar, popularly known as Junior Dagar Brothers.”

Senior advocate Abhishek Manu Singhvi also raised concerns over media reports from earlier hearings suggesting Rahman had suffered a judicial setback. The bench clarified that it cannot regulate reportage and emphasised that the main suit will be adjudicated strictly on its merits, independent of any interim observations.

With these clarifications on record, the Supreme Court closed the petition challenging a Delhi High Court division bench order that had previously set aside a single-judge injunction against Rahman and the film’s team.

The Core Dispute: Veera Raja Veera vs Shiva Stuti

At the heart of the legal battle lies the allegation that Veera Raja Veera draws heavily from Shiva Stuti, a classical piece associated with the Junior Dagar Brothers and rooted in the Dagarvani Dhrupad tradition. Faiyaz Wasifuddin Dagar has argued that the melody, rhythmic structure and overall musical expression bear striking similarities.

However, Rahman has maintained that his work is original and that elements of a classical tradition cannot be monopolised under copyright law. The substantive suit will determine the legal standing of these claims.

Rahman’s Packed Schedule Amid Legal Spotlight

Even as the legal proceedings continue, the Oscar-winning composer recently announced a 40-day digital detox to focus on completing the score for Ramayana, directed by Nitesh Tiwari. The ambitious project is set for a major public unveiling in March 2026, where its cast and technical crew will be formally introduced.

While the courtroom chapter has brought temporary clarity on credits, the final verdict on the broader copyright question is still awaited.