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In Indian cinema, style has long been the domain of stars in front of the camera. But there’s a select league of filmmakers who are flipping that narrative—directors whose fashion sense is as iconic as the stories they tell. From Karan Johar’s couture charisma to Mozez Singh’s edgy, editorial vibe, these filmmakers are redefining what it means to be a storyteller with style. They don’t just direct trends on-screen—they live them.
Take Karan Johar, the undisputed master of cinematic opulence, who treats fashion like a second language—fluent in drama, luxury, and flair. Or Mozez Singh, whose high-concept storytelling is reflected in his runway-ready ensembles that blur the line between avant-garde and streetwear.
Karan Johar
Known for creating the most glamorous worlds on screen (Kabhi Khushi Kabhie Gham, Ae Dil Hai Mushkil), Karan Johar mirrors that opulence in real life too. With designer trench coats, luxury bags, and statement shades, he’s the undisputed drama king—both in film and fashion.
Mozez Singh
From Zubaan to Human to YYHS: Famous, Mozez’s visual storytelling is bold and stylized—and so is his personal fashion. Think high-fashion streetwear, graphic prints, and a fearless embrace of color. His look is as curated as his cinematic frames.
Then there’s Zoya Akhtar, effortlessly cool with her grounded, travel-ready layers, and Kiran Rao, whose artisanal, indie fashion choices echo the raw textures of her films.
Zoya Akhtar
Her films like Zindagi Na Milegi Dobara, Gully Boy, & The Archies celebrate individuality—and so does her wardrobe. Zoya’s fashion sense is all about functional layering, natural fabrics, and a lived-in cool that reflects the soul of her storytelling.
Kiran Rao
Kiran Rao’s cinematic world is rich in texture and emotion whether it was Dhobi Ghat or Laapataa Ladies, just like her style. She’s the queen of mixing khadi with quirk—classic sarees, edgy accessories, and silhouettes that speak of fearless experimentation.
As Indian cinema continues to evolve in global relevance and aesthetic depth, these filmmakers remind us that storytelling isn't confined to script and screen. Sometimes, it’s also stitched into a sleeve, wrapped in a saree, or stamped on a pair of statement shades.
Because in their universe, the director’s chair is just another runway and every outfit is a frame in a larger, unapologetically personal film.
